Consider Offers Carefully, and Get a Good Lawyer You can't just see that your records are doing okay and not know what to do next.Ĥ. And then you know, this is what we're going to do first. I think it's trying to get as much out of them you can to get it into a document where you can start getting into something that makes a bit more sense. What do you want? Where do you see yourself in three and five years? What artists do you liken yourself to in some degree? What stages do you want to play? Do you have an idea of production? Do you have an idea how much music we want to plot out? What labels do you want to be signed to? the next step is sitting down with them and just talking. He's got great content. He's got great visuals. It's very hard to pigeonhole, but it's going because his thing started from the music, but he's also got everything else. Once you get past that the music's really good, then do you have everything else? That's the next big jump, can you be the brand? We have a kid on the label called i_o, who is really exploding right now. I manage a guy that wears a giant mouse head, but it didn't start that way. but if you can't put out really good music on different labels or then eventually your own label, it's not going to work. It doesn't matter which way you paint it, skin it, talk about it - if the music doesn't resonate or connect, you may get away with it for awhile. At the end of the day, we're in the music business, and everything starts from music. We're not in the promotion and marketing business. There is no magic sauce of "Do this and you will become a dance music star." It really has to be about the music. Here, in his own words, Wilson offers seven pieces of sage advice on how to grow your career in the wild realm of electronic music. With a dizzying number of aspiring producers existing online, distinguishing yourself and your music from the pack can feel impossible.
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